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The new weapon was the
movies.
"Research has shown that movies have
a powerful influence on the behavior of children and
teenagers.
That's why corporations
spend money for product placement in films to market their
sneakers,
sunglasses and
soft drinks." - Jay A.
Winsten, Harvard School of Public Health
"It hardly needs re-stating that Talmudwood is
driven by the desire for dollars rather than artistic integrity. As such,
cinema is open to product placement in a variety of forms, from
toys, to
cars, to
cigarettes, and even
state-of-the art
weaponry hence the "special thanks" to
Boeing in the credits of Iron
Man (2008)." - Matthew Alford 02/09
1907 "Should you ever
seek the source of the moving
pictures of the vaudeville theater you will learn that the
comic, the
tragic, the
fantastic, the
mystic scenes so swiftly enacted
in photographic pantomime are not real but feigned." - Moving Picture
World
1917 Before
classical continuity
emerged the traditional approach to shooting a scene was the tableau
technique reminiscent of
theatrical presentations.
Action was played out in a full shot from an
audience standpoint, using staging to vary the composition and express dramatic
relationships.
At this time the consolidation of the characteristic
approach to visual storytelling occurs in Talmudwood.
When there was
cutting within the tableau setup, it usually consisted of inserted close-ups of
important details, especially printed matter, like a letter or telegram.
Occasionally the close-up of an actor could be inserted, usually filmed
from the same angle as the master shot.
The tableau approach was more
prominent in scenes taking place in interiors; filmmakers were freer about
cutting action occurring outdoors.
The master shot was typically closer
and more tightly organized than a scene on the stage would be.
The
tableau approach was the default of filmmaking through the 1910s.
Watch people filing
silently out of a movie
theater, their eyes
vacant.
One must reemerge
after being submerged this way in hyperreality.
Art provides ekstasis, which means
"letting us stand outside
ourselves."
Entertainment usually provides
just the opposite: intertenere ,
pulling us into our bodies while
denying us perspective.
Harvard
psychology professor
Hugo Munsterberg, writing of this mesmerizing effect, cited reports:
"sensory
hallucinations and illusions have crept in;
neurasthenic
individuals are especially inclined to experience touch or temperature or smell
or sound impressions from what they see on the screen.
Vivid as reality
as the mind is completely
engrossed in the moving images."
Movies reinterpret reality in a way no
other art form has as the photographic medium is reminiscent of reality.
Early audiences
reportedly would shrink as a train on-screen pulled into a station, fearing
that it would burst through and run them over.
They had to be reminded that what
they were seeing was only an illusion.
What makes the movies appear even more real,
and what makes them even more powerful in their effect, is how the audience
mentally processed them.
As
Hugo
Munsterberg noted, the
movies replicate our own consciousness.
As movies cast a spell to
lull us into the narrative this concerns astute
critics.
Critics realize movies cross the line
separating reality from
imagination.
Jane Addams, the social reformer, claimed the movie
theater was a "veritable house of
dreams," which was "infinitely more real than the noisy streets and
crowded factories."
Over time the movies
occupyied the common imagination like an expeditionary force, filling heads
with models to appropriate.
"Since audiences have no way of distinguishing
between what is real and what is fabricated, they are asked to
swallow the whole sugar-coated
confection in one gulp.
In the real world
a bald faced lie is easy to
identify, but half truths are more insidious." - Preston Lerner
Talmudwood Name ................. Real Name
Joey Adams ............................. Joseph
Abramowitz
Eddie Albert ............................ Eddie Heimberger
Woody Allen............................. Allen Konigsberg
Lauren Bacall .......................... Joan
Perske
Jack Benny ............................. Benny Kubelsky
Milton Berle ........................... Milton Berlinger
Ernest Borgnine ......................... Effron Borgnine
George Burns ........................... Nathan Birnbaum
Joan
Blondell........................... Rosebud Blustein
Joyce Brothers
.......................... Joyce Bauer
Mel Brooks
............................. Melvin Kaminsky
Joey Bishop
............................ Joey Gottlieb
Charles Bronson
........................ Charles Buchinsky
Rona Barrett
............................ Rona Burnstein
Cyd Chrisse
............................. Tula Finklea
Tony Curtis
............................ Bernie Schwartz
Joan Crawford
.......................... Lucille Le Sueur
Dyan Cannon
............................ Samile Friesen
Kirk Douglas
........................... Isadore Demsky
Bob Dylan
............................... Robert Zimmerman
Rodney Dangerfield
...................... Jacob Cohen
Douglas Fairbanks, Jr.
................. Douglas Ullman
Joel Grey
.............................. Joel Katz
Elliott Gould
........................... Elliott Goldstein
Zsa Zsa Gabor
........................... Sara Gabor
John Garfield
.......................... Jules Garfinkle
Judy Garland
........................... Frances Gumm
Paulette Goddard
....................... Paulette Levy
Eydie Gormé
............................. Edith Gormezano
Cary Grant
............................. Larry Leach
Lorne Green
............................. Chaim Leibowiz
Judy Holliday
.......................... Judith Tuvin
Leslie Howard
.......................... Leslie Stainer
Buddy Hackett
.......................... Leonard Hacker
Jill St. John
.......................... Jill Oppenheim
Danny Kaye
.............................. David Kominsky
Alan King
.............................. Irwin Kniberg
Larry King
...............................Larry Zeiger
Tina Louise
............................. Tina Blacker
Ann Landers
.............................. Esther Friedman
Dorothy Lamour
......................... Dorothy Kaumeyer
Michael Landon
......................... Mike Orowitz
Steve Lawrence
......................... Sidney Leibowitz
Jerry Lewis
............................ Joseph Levitch
Karl Maiden
.............................Maiden Sekulovitch
Ethel Merman
........................... Ethel Zimmerman
Jan Murray
............................. Murray Janofsky
Walter Matthau
......................... Walter Matasschanskayasky
Lilly Palmer
........................... Maria Peiser
Jan
Pierce.............................. Pincus Perelmuth
Roberta
Peters...........................Roberta Peterman
Eleanor
Parker.......................... Ellen Friedlob
Joan Rlvers
.............................Joan Molinsky
Tony Randall
........................... Sidney Rosenberg
Edward G. Robinson
..................... Emanuel Goldenberg
Dinah Shore
............................ Fanny Rose
Shelly Winters
......................... Shirley Schrift
Gene
Wilder............................. Jerome Silberman
Jewish comedic
performers
Millions of
innocent Christian Americans have been victimized by pro-Zionist and
pro-Communist film propaganda.
They do not realize the Jew "name
changers" have used subtle and very sophisticated stories to manipulate
Christian minds.
No nation can long remain free while such a powerful
medium is totally controlled by Zionists.
The following are Jews whom
many think are Gentiles:
Ed Asner, Bea Arthur, Gene Barry, Richard
Benjamin, Kevin Costner, Lee J. Cobb, Joan Collins, Richard Dreyfus, Ted
Danson, Peter Falk (Columbo), Eddie Fisher,
Harrison Ford (25%), Richard
Gere, Betty Grable, Sharon Gless, Steven Segall, Dustin Hoffman, Monty Hall,
Amy Irving, Jack Klugman,
Leonard Nimoy,
Ken Olin, Ron Perlman, George Segel,
William Shatner, Peter
Strauss, Rod Steiger, Jane Seymour, Barbara Walters, Debra Winger, and Bruce
Willis. |
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This web site is not a commercial web site and
is presented for educational
purposes only.
This website defines a
new perspective with which to engage reality to which its author adheres. The
author feels that the falsification of reality outside personal experience has
forged a populace unable to discern propaganda
from reality and that this has been done purposefully by an international
corporate cartel through their agents who wish to foist a corrupt version of
reality on the human race. Religious intolerance occurs
when any group refuses to tolerate religious practices, religious beliefs or
persons due to their religious ideology. This web site marks the founding of a
system of philosophy named The Truth of the Way of the Lumière Infinie -
a rational gnostic mystery religion based on reason which requires no leap of faith, accepts no
tithes, has no supreme leader, no church buildings and in which each and every
individual is encouraged to develop a personal relation with the Creator and
Sustainer through the pursuit of the knowledge of reality in the hope of curing
the spiritual corruption that has enveloped the human spirit. The tenets of The
Truth of the Way of the Lumière Infinie are spelled out in detail on
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religious beliefs in America is considered a "hate crime."
This web site
in no way condones violence. To the contrary the intent here is to reduce the
violence that is already occurring due to the international corporate cartels
desire to control the human
race. The international corporate cartel
already controls the world economic system, corporate media worldwide, the
global industrial military entertainment complex and is responsible for the
collapse of morals, the elevation of self-centered behavior and the destruction of
global ecosystems. Civilization is based on coöperation. Coöperation does not
occur at the point of a gun.
American social mores and values have
declined precipitously over the last century as the corrupt international
cartel has garnered more and more power. This power rests in the ability to
deceive the populace in general through corporate media by pressing emotional
buttons which have been preprogrammed into the population through prior mass
media psychological operations. The results have been the destruction of the
family and the destruction of social structures that do not adhere to the
corrupt international elites vision of a
perfect world. Through distraction and coercion the direction of thought of
the bulk of the population has been directed toward solutions proposed by the
corrupt international elite that further consolidates their power and which
further their purposes.
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their writings, showed the capacity for intelligent, reasonable, rational,
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