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An odd dilemma,
film is "The Art Form" of the
20th century.
Why does every movie have to appeal to the
indifferent and
violent?
Why the
feel good, don't worry,
touchy feely character of television
news?
Why the mind
numbing idiocy talk shows that
celebrate
consumerism?
1907
"Should you seek
the source of moving pictures
in the vaudeville theater you will learn the
comic,
fantastic,
tragic, the
mystic scenes swiftly enacted in
photographic pantomime are not real but feigned." - Moving Picture
World
1917 Tableau technique, reminiscent of
theatrical presentations, is being replaced by
classical continuity.
Action was played out in a full shot from an audience standpoint, using
staging to vary the composition and express dramatic relationships.
Consolidation of the characteristic approach to visual storytelling
occurs.
The tableau setup inserted close-ups of important details,
especially printed matter, like a letter or telegram or any item used as a
MacGuffin.
An iterant actor close-up might be inserted filmed from the
master shot angle.
The tableau approach was more prominent in scenes
taking place in interiors.
The master shot was closer and more tightly
organized than a stage scene. Filmmakers were freer about cutting action
occurring outdoors.
The tableau approach was the default of
filmmaking through the 1910s.
Watch people filing
silently out of a movie
theater, their eyes
vacant.
One must reemerge after
being submerged this way in hyperreality.
Art provides ekstasis, which means
"letting us stand
outside ourselves."
Entertainment, intertenere, pulling us
into ourselves denying us perspective. Hugo Munsterberg noted
sensory hallucinations and
illusions creep into the consciousness of 'neurasthenic'
individuals who were inclined to experience touch,
temperature, smell, sound impressions from visual clues on the
screen.
"Vivid as reality in
the mind completely engrossed in
the moving images."
Movies reinterpret
reality in a way no other art form can.
Early audiences would shrink
as a train on-screen pulled into a station.
They had to be reminded that what
they were seeing was only an illusion. What makes the movies appear even more real, and what
makes them even more powerful in their effect, is how the audience mentally
processed them.
As
Hugo
Munsterberg noted, the movies
replicate our own consciousness.

As movies cast a spell to
lull us into the narrative
this concerns astute
critics.
Critics realize
movies cross the line
separating reality from
imagination.
Over time movies consumed the
common imagination
like an expeditionary
force, filling vacant heads with
models to appropriate.

"Since audiences have no way of distinguishing
between what is real and what is fabricated, they are asked to
swallow the whole sugar-coated
confection in one gulp.
In the real world
a bald faced lie
is easy to identify, but half truths are more insidious." - Preston
Lerner
Talmudwood Name ................. Real Name
Joey Adams ............................. Joseph Abramowitz
Eddie Albert ............................ Eddie Heimberger
Woody Allen ............................. Allen Konigsberg
Lauren Bacall
.......................... Joan Perske
Jack
Benny ............................. Benny Kubelsky
Milton
Berle ........................... Milton Berlinger
Ernest Borgnine ......................... Effron Borgnine
George Burns ........................... Nathan Birnbaum
Victor Borge ........................... Børge
Rosenbaum
Joan Blondell ........................... Rosebud Blustein
Joyce Brothers .......................... Joyce Bauer
Mel Brooks ............................. Melvin Kaminsky
Joey Bishop ............................ Joey Gottlieb
Charles Bronson ........................ Charles Buchinsky
Rona Barrett ............................ Rona Burnstein
Cyd Chrisse ............................. Tula Finklea
Tony Curtis ............................ Bernie Schwartz
Joan Crawford .......................... Lucille Le Sueur
Dyan Cannon ............................ Samile Friesen
Kirk Douglas ........................... Isadore Demsky
Bob Dylan ............................... Robert Zimmerman

Rodney
Dangerfield ...................... Jacob Cohen
Douglas
Fairbanks, Jr. ................. Douglas Ullman
Joel Grey
.............................. Joel Katz
Elliott
Gould ........................... Elliott Goldstein
Zsa Zsa
Gabor ........................... Sara Gabor
John
Garfield .......................... Jules Garfinkle
Judy
Garland ...........................
Frances Gumm
Paulette Goddard ....................... Paulette Levy
Eydie Gormé ............................. Edith
Gormezano
Cary Grant ............................. Larry Leach
Lorne Green ............................. Chaim Leibowiz
Judy Holliday .......................... Judith Tuvin
Leslie Howard .......................... Leslie Stainer

Buddy Hackett .......................... Leonard Hacker
Jill St. John .......................... Jill Oppenheim
Danny Kaye .............................. David Kominsky
Alan King .............................. Irwin Kniberg
Larry King ...............................Larry Zeiger
Tina Louise ............................. Tina Blacker
Dorothy
Lamour ......................... Dorothy Kaumeyer
Michael
Landon ......................... Mike Orowitz
Steve
Lawrence ......................... Sidney Leibowitz
Jerry
Lewis ............................ Joseph Levitch
Karl
Malden .............................Mladen Sekulovich
Ethel
Merman ........................... Ethel Zimmerman
Jan
Murray ............................. Murray Janofsky
Walter
Matthau ......................... Walter Matasschanskayasky
Jan Pierce.............................. Pincus Perelmuth
Roberta Peters...........................Roberta Peterman
Eleanor Parker.......................... Ellen Friedlob
Joan Rlvers .............................Joan Molinsky
Tony Randall ........................... Sidney Rosenberg
Edward G. Robinson ..................... Emanuel Goldenberg
Dinah Shore ............................ Fanny Rose
Shelly Winters ......................... Shirley Schrift
Gene Wilder............................. Jerome
Silberman
Jewish comedic
performers

Millions of innocent
Christian Americans have been victimized by
pro-Zionist and
pro-Communist film
propaganda.
They do not realize the
Jew "name changers"
have used subtle and very
sophisticated stories to
manipulate Christian minds.
No nation can long remain free
while such a powerful medium is totally controlled
by Zionists.
The following are Jews whom many think are Gentiles:
Richard Gere,
Ed
Asner, Bea Arthur,
Gene
Barry, Richard Benjamin,
Kevin
Costner,
Lee J.
Cobb, Joan Collins,
Richard
Dreyfus,
Ted
Danson,
Peter
Falk, Eddie Fisher,
Jason
Alexander,
Betty
Grable,
Sharon
Gless, Steven Segall,
Dustin
Hoffman,
Monty
Hall, Amy Irving,
Jack
Klugman, Leonard
Nimoy, Ken Olin,
Ron
Perlman,
George
Segal, William Shatner,
Peter
Strauss,
Morey
Amsterdam,
Rod
Steiger,
Jane
Seymour,
Barbara
Walters,
Debra
Winger, and
Bruce
Willis. |
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is presented for educational
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This website defines a
new perspective with which to engage reality to which its author adheres. The
author feels that the falsification of reality outside personal experience has
forged a populace unable to discern
propaganda from reality and that this has been done purposefully by an
international corporate cartel through their agents who wish to foist a corrupt
version of reality on the human race.
Religious intolerance
occurs when any group refuses to tolerate religious practices, religious
beliefs or persons due to their religious ideology. This web site marks the
founding of a system of philosophy named The Truth of the Way of the
Lumière Infinie - a rational gnostic mystery religion based on reason
which requires no leap of faith, accepts no tithes, has no supreme leader, no
church buildings and in which each and every individual is encouraged to
develop a personal relation with the Creator and Sustainer through the pursuit
of the knowledge of reality in the hope of curing the spiritual corruption that
has enveloped the human spirit. The tenets of The Truth of the Way of the
Lumière Infinie are spelled out in detail on this web site by the
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already occurring due to the international corporate cartels
desire to control the human
race. The international corporate
cartel already controls the world economic system, corporate media
worldwide, the global industrial military entertainment complex and is
responsible for the collapse of morals, the elevation of
self-centered behavior and the destruction
of global ecosystems. Civilization is based on coöperation.
Coöperation does not occur at the point of a gun.
American social
mores and values have declined precipitously over the last century as the
corrupt international cartel has garnered more and more power. This power rests
in the ability to deceive the populace in general through corporate media by
pressing emotional buttons which have been preprogrammed into the population
through prior mass media psychological operations. The results have been the
destruction of the family and the destruction of social structures that do not
adhere to the corrupt international elites vision of a perfect world. Through
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has been directed toward solutions proposed by the corrupt international elite
that further consolidates their power and which further their purposes.
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