
|
Morn and AngusThe
men who observed these
things had no
other
way to account for them, so they
jumped to the one conclusion which made sense to them; a conclusion which suited both
Angus' reputation and their own cynicism.
Without any viable
external evidence, they chose to believe
that he'd given her a zone implant.
He had the
control in his pocket.
Zone
implants were illegal, of course.
They were so illegal that
unauthorized use carried the death
penalty.
But -also of course- mere
questions of
legality didn't stop
humans who worked the belt from having
them on hand for emergencies.
In essence, a zone implant was a
radio electrode which could be slipped between one of the skull sutures and
installed in the brain where its emissions
were remarkably effective. It had been invented by a doctor trying to
control grand mal epileptic
seizures: its emissions blanked out the
neural
storm of the seizure. People thought that was where the
name "zone" came from: an active implant
gave an epileptic the look of being "completely zoned."
But in
fact medical research had quickly
discovered that a
variety of results could be
obtained by varying the implant's emissions -by tuning the implant to different
zones of the brain.
Violent insanities
could be tamed. Manic
behaviors could be
moderated. Catatonia could be relieved -or induced. Recalcitrance could be
turned into cooperation.
Pain could be reinterpreted as
pleasure.
Volition could be
suppressed.
Without
interrupting consciousness or
coordination.
Given a broad-spectrum zone implant, which employed
several electrodes, and an unscrupulous
control operator, independent
human beings could be
transformed into
intelligent, effective, and loyal
slaves.
Even the more
common, narrower-spectrum
implants could achieve comparable results by turning
humans into
physical puppets, or by applying
intense neural
punishmentand rewards.
Unauthorized use of a zone implant carried the
death penalty automatically,
inevitably; without appeal.
But despite the
law - and the possibilities of abuse - even otherwise
reputable miners and pilots, ore haulers and
handlers, considered zone implants
necessary medical equipment.
The
reason was simple. Medical
science had
developed ways for complete
idiots to diagnose and treat complex diseases;
ways for lost or vision-struck belt pilots
to repair the damage done to their
bodies by faulty or
inadequate equipment; ways
for crushed limbs and even crushed
organs to be prostheticly
restored.
Unfortunately, however, no amount
of research had
discovered a cure for
gap-sickness, that strange
breakdown of the mind which took perhaps one out of every
hundred humans who crossed the dimensional gap and reduced him or her to a
psychotic killer or a null-wave transmitter, a raving bulimic or a gleeful self-flagellant, a pedophiliac or a pill-junkie.
Apparently, one out of every hundred
humans had some
category of undetectable
vulnerability in the tissue
of the brain; and when that
vulnerability was translated
across light-years of space
through the imponderable physics of the gap, some
thing happened to that
vulnerable brain.
Otherwise healthy individuals lost
command of their
lives in invariably startling, often
grotesque, and sometimes
murderous fashions. There was no cure for
gap-sickness. But there was a
way to cope with it.
The
zone implant.
Almost gently, he returned her tag, then put a
hand on her chin and turned her
face toward him.
The stark horror was
back in her eyes.
Her whisper was
faraway and forlorn, lost in darkness.
"I initiated self-destruct. From the auxiliary bridge."
His fingers clamped onto her jaw as if he could
force her to tell the
truth.
He thrust his face close to
hers. "You did what?"
"We were chasing you."
Her gaze didn't
react to his proximity: the things that appalled her were so
bright she couldn't register any
thing else.
"Dodging
asteroids. G was awful. I
thought we were going to break up.
I was at my station. Auxiliary bridge.
I thought the straps on
my seat were going to tear. Or
I was going to rupture."
"Then it
stopped. I could see you on the screens. But
I didn't care. You
destroyed that mining camp.
I had already seen you
kill all those miners.
I didn't care.
I should have cared, but
I didn't. The
whole inside of
my head
was different."
"I was floating, and
every thing was
clear. Like a
vision. It was like the
universe spoke to
me. I got
the message, the truth."
Her stare
remained fixed; but now she had to fight to keep her sobs down.
"The
'truth.'I knew
exactly what to do. What I had to do.
I didn't
question it."
"I keyed the self-destruct
sequence into the computer. That was supposed to blow up both drives. We would
have been turned to powder."
"You aren't an
officer," Angus objected. "You're
practically a kid. How did you know the
self-destruct codes?"
"We all
knew the codes. Anyone of us could do
it. So Starmaster wouldn't be captured. That was our first priority. Not be
captured. Under any circumstances. If forbidden
space got us -a ship like
that- We can all be trusted. We're all
reliable. Most of us are family. They
wouldn't let anybody who wasn't reliable on a ship like that."
"But
fa-Captain Hyland caught what I was doing.
He tried to abort. Only the thrusters exploded. I
could hear him yelling at me over
the intercom - yelling at me because
I was his daughter and I was destroying his ship,
I was destroying him. His
sister and
brothers. My cousins. Destroying them."
"And then it wasn't
clear anymore. There wasn't any
vision. We weren't in any
. It was all a
lie. I
killed my
whole
family for no
reason."
He bared his teeth.
"I told you. You're
my crew now. You're mine. You've been
impressed."
He relished the word.
"When
I tell you to do some
thing,
I expect it done."
He could see
suspicion mounting to panic in her face.
"You bastard, " she breathed for the second time. "I am not your crew.
I am UMCP. I am going to leave you rotting in lockup if
it's the last thing
I do. What have you done to me?"
Angus didn't answer directly:
he was having too much fun.
Instead, he showed her the
control in his
hand.
The
shock when she recognized the small
box was every thing he could have
wanted.
It was like her horror of the
way she had murdered her
family, like that in
helplessness and extremity; and yet
profoundly different in other,
crucial respects.
Terror and
loathing burned across her face. Her
hands sprang to her mouth; she made
an attempt to cry out.
Then he lost his self possession.
He was already on
the edge of his restraint: the sight of her pushed him past his limits.
She was clean -and being clean brought back her
fundamental
beauty.
She was probably the most
beautiful
woman he'd ever seen this close.
And she showed a category of courage simply by leaving the san;
she had the capacity to face her fate. Her
eyes shone with a
heart wrenching combination
of fright and defiance, with a dread of what
he could do to her mixed with a refusal to be cowed.
And he could do
any thing he wanted. She was his:
he had the control to her zone implant
clenched in his sweating fingers.
For that
reason, he pushed the button which took
away her ability to move.
Then he put down the
control and beat her bloody with his bare fists,
marring her
beauty so that it wouldn't
terrify him anymore.
He couldn't
stop trembling.
After all, it was a good thing that he'd
hit her.
The
darkness and swelling of her
bruises made her bearable: if she'd remained perfect, he would have had no choice but to
kill her.
So he paid no attention to the
firm lift of her breasts or the velvet curve of her
hips.
He concentrated exclusively on the
livid hurt of her bruises as he climbed on
top of her.
His orgasm was so
intense that he thought for a
moment he'd broken some
thing.
Before he rolled
off her, he had the satisfaction of
seeing her
eyes flutter open, seeing her begin to
realize what he'd done.
He
filled her with revulsion, even though
there was nothing she could do about it.
That was
good.
Nevertheless he continued
trembling.
He could no longer tell whether he was
excited or
afraid.
"Does that make you
feel like a
man?"
She sounded
bitter and miserable - and faraway, as though the
aftereffects of his blows muffled her
distress.
"Do you have to destroy
me to feel good yourself? Are you that
sick?"
"Shut up," he replied amiably.
"You'll get used to it. You'll have to."
He was grinning; but he still
had to brace his hands on his hips
to conceal the way they shook.
Stephen R. Donaldson, from The Real Story: The Gap into
Conflict. |
|
back to stacks
contents
 |
This web site is not a commercial web site and
is presented for educational purposes only.
Disclaimer: All views and opinions
presented on this web site are the views and opinions of individual human men
and women that, through their writings, showed the capacity for intelligent,
reasonable, rational, insightful and unpopular thought. All factual information
presented on this web site is believed to be true and accurate and is presented
as originally presented in print media which may or may not have originally
presented the facts truthfully. Opinion and thoughts have been adapted, edited,
corrected, redacted, combined, added to, re-edited and re-corrected as nearly
all opinion and thought has been throughout time but has been done so in the
spirit of the original writer with the intent of making his or her thoughts and
opinions clearer and relevant to the reader in the present time.
Fair Use Notice
This site may contain copyrighted material the use of which has
not always been specifically authorized by the copyright owner. We are making
such material available in our efforts to advance understanding of criminal
justice, human rights, political, economic, democratic,
scientific, and social justice
issues, etc. We believe this constitutes a 'fair use' of any such copyrighted
material as provided for in section 107 of the United States Copyright Law. In
accordance with Title 17 U.S.C. Section 107, the material on this site is
distributed without profit to those who have expressed a prior interest in
receiving the included information for research and educational purposes. For
more information see: www.law.cornell.edu/uscode/17/107.shtml. If you wish to
use copyrighted material from this site for purposes of your own that go beyond
'fair use', you must obtain permission from the copyright owner. |
Copyright
© Lawrence Turner All Rights Reserved |