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the yiddization of American comedy

"While assimilation is a big concern in the Jewish community, [professor Arthur Asa] Berger contends that, conversely, Jewish culture has 'Yiddishized' American humor. 'When the Jews disappear,' he joked, 'the Jewish humor will be written by non-Jews because they've been Yiddishized and they'll be able to carry it on.'" - Jewish Bulletin of Northern California, June 5, 1998

"Whereas traditional Jewish humor emerged anonymously from a collective consciousness, America has provided a multitude of new conduits for its transmission: public meetings and lectures, vaudeville, the Borscht Belt, Broadway, nightclubs, radio, record albums, movies, and most especially television, as well as widely circulating books, newspapers, and magazines. America has made available a popular culture that has been not only open to Jews but positively inviting to Jewish performers and Jewish themes to a degree that was unimaginable in Eastern Europe. There has been, of course, a price to pay for accepting this invitation, which has resulted in the parevezation, or neutering, of much of the material." - William Novak and Moshe Waldoks

"Joan Rivers' (Joan Alexandra Molinsky) comic universe is a parade of crude 1970s-era stereotypes. It is a realm in which the world belongs to the rich and thin and where the poor, the obese, the aged and infirm are pariahs to be ridiculed." - Australian Jewish News, February 24, 2003

It is impossible to imagine what humor would be like in America today without the contribution of Eastern European Jews.

Most of the comedy in America is written, produced and performed by Jews and has been for the last century.

Those that find Yiddish humor low brow will just have to leave America (love it or leave it!) because Yiddish humor has permeated American social culture.

Beginning in Vaudeville crude Yiddish humor took over Hollywood in the early days.

Yiddish humor developed slapstick with each performer having his or her own shtick.

Think Harry Ritz, Jimmy Ritz, Al Ritz, Leonard "Chico" Marx, Adolf "Harpo" Marx, Milton "Gummo" Marx, Herbert "Zeppo" Marx, Julius Henry "Groucho" Marx and Jerry Lewis (Joseph Levitch).

The three stooges originally featured Moe Howard (Harry Moses Horwitz), brother Shemp Howard (Samuel Horwitz), and longtime friend Larry Fine (Louis Feinberg).

"The Jewish style, with its heavy reliance upon Yiddish and Yiddishisms, has emerged not only as a comic style, but as the comic style." - Wallace Markfield, The Yiddishization of American Humor, Esquire 1965

Yiddish humor is marked with the belittling of individuals and individual beliefs, the stereotyping of any type of behavior that Jews find offensive or look down on and the quick wit that proves that the target is an idiot while elevating the witty one to new heights of superior wisdom.

Parents and family structure is one of the favorite targets of Yiddish humor which thumbs its nose at God, respect for our neighbors and respect for any and all types of thought that elevate preferring instead crass and crude depictions of American social culture.

A few of the Yiddish "comedic" performers that have so successfully upset the moral fabric of America include:

Al Jolson, Jackie Mason (Yacov Moshe Maza), Ed Wynn (Isaiah Edwin Leopold), Mae West (Mary Jane West), Zero Mostel (Samuel Joel Mostel), Jack Benny (Benjamin Kubelsky), George Burns (Nathan Birnbaum), Milton Berle (Mendel Berlinger), Eddie Cantor (Israel Iskowitz), Sid Caesar, Henny Youngman, Howard Morris, Myron Cohen, Phil Silvers (Fischl Silver), Danny Kaye (David Kaminsky), Red Buttons (Aaron Chwatt), Bud Abbott, Victor Borge (Børge Rosenbaum), Oscar Levant, Mickey Katz, Mel Brooks (Melvin Kaminsky), Don Rickles, Leonard Schneider (Lenny Bruce) , Marty Allen (Morton Alpern), Roseanne Barr (Barsky), William Edward "Billy" Crystal, Jerry Seinfeld, Jason Alexander, Adam Sandler, Charles Grodin, Harvey Korman, Marty Feldman, Gilbert Gottfried, Gilda Susan Radner, Carl Reiner, Paul Reiser, Rita Rudner, Robert Schimmel, Pauly Shore, Sarah Silverman, Rob Schneider, Ben Stiller, Sam Seder, Frederick Alan "Rick" Moranis, Jon Stewart, Morey Amsterdam, Lewis Black, Albert Brooks, Andrew Dice Clay (Andrew Dice Silverstein), Randy Sklar, Jason Sklar, Rhea Perlman, Chelsea Handler, Sacha Baron Cohen, Jack Black, Mel Blanc (Melvin Jerome Blank), "Professor" Irwin Corey, Tom Arnold (Cohen), Andy Kaufman, Richard Lewis, Larry Miller, Paul Reubens (Rubenfeld), Garry Shandling, Gene Wilder (Jerome Silberman), Shelley Berman, Dustin Diamond, Tiny Tim (Herbert Khaury), Dan Ahdoot, Dave Attell, Jon Stewart (Jonathan Stuart Leibowitz), Sandra Bernhard, Alex Borstein, David Brenner, Steve Bernard Cohen, David Cross, Larry David, Wayne Federman, Jeff Garlin, Andrew Ginsburg, Elon Gold, Judy Gold, Shecky Greene (Greenfield), Robert Klein, John Lehr, Jan Murray, Jeffrey Ross, Andy Samberg, Al Shean, Jon Lovitz, Oscar Levant, "Reverend" Bob Levy, Marc Maron, Lorne Michaels (Lorne David Lipowitz), Larry Miller, Bobby Slayton, Jerry Stiller, Rich Vos, Rodney Dangerfield (Jacob Cohen), Buddy Hackett (Leonard Hacker), Alan King (Irwin Alan Kniberg), Tony Randall (Arthur Leonard Rosenberg), ad infinitum.

"From 'Seinfeld' to 'Mad About You' to 'Dharma and Greg' to 'The Larry Sanders Show,' Jewish humor has infiltrated popular culture. On television, Jewish humor is the Trojan horse sneaked into the living rooms of non-Jewish America." - Jewsweek, 2001

"comic" books

In the 1950s, the Jewish-dominated comic book industry raised familiar issues - public concern that they were influential in the degradation of popular morals and values.

In 1955-56 the United States Senate held investigations into the matter, releasing a report entitled "Comic Books and Juvenile Delinquency." The Senate document noted that "on first impression, the present comic book industry would seem to comprise many different publishing firms with no apparent relationship to one another ... On closer scrutiny, however it is found that the picture is entirely different ... The 676 comic book titles examined are published by 111 companies owned by only 121 persons or families in addition to 1 corporation ... The majority of the publishers maintain editorial offices in New York City."

Subsections of the report included "Techniques of Crime Taught by Crime and Horror Comics," "Criminal Careers as Glamorous in Crime and Horror Comic Books", and "Defenders of Law and Order Frequently Represented as All Powerful Beings Who Kill and Commit Other Crimes to Defend 'Justice.'"

Jewish comic book entrepreneurs who are singled out by the report include direct-mail advertiser Samuel Roth "who has for many years been engaged in using the mail to advertise lewd and lascivious material," and Alex Segal who "testifed that 'by mistake' one of his trays of addressograph plates bearing the names of 400 children was routed to the publisher of sex literature."

In the listings of owners and distributors of comic book businesses, among the best known are Marvel Comic group (owners: Martin and Jean Goodman) and Archie Comic group (owners: Maurice Coyne, John Goldwater, and Lewis H. Silberkleit).

Mad magazine's William Gaines (EC comics) also produced "the greatest of the under-the-covers-with-a-flashlight genre." These comics, featuring new explorations of gore, include Tales from the Crypt, Weird Science, Shock Suspense stories, Frontline Combat, "and a few other titles made the struggling company profitable and Gaines a fully employed pop culture mentor of the first magnitude. But this upstart Jewish kid was soon put out of business by a crusading psychiatrist from the old country, a nasty bunch of Senators, and a coalition of PTA and American Legion, sheriffs and bishops, editors and aldermen.

The Comics Code that was created to deflect the heat couldn't help Gaines. The slander was so thorough that his books were returned unopened by retailers even after the Comics Code seal was applied. By the end of 1954, after just a four year run, EC Comics were all gone, except for the satirical Mad.(William M. Gaines publisher of Mad Magazine; editors Al Feldstein, Harvey Kurtzman; writers Frank Jacobs, Barry Leibmann, Andrew J. Schwartzberg, Larry Siegel, Lou Silverstone.)

As Jacob Heilbrunn notes, in a review of a book about comic books by scholar Bradford W. Wright, "EC Comics offered something of a precursor to the upheaval of the 1960s, questioning authority before it became fashionable to question anything. In perhaps the most notorious panel printed by EC Comics, a murderous baseball team plays a midnight game with the limbs and entrails of a victim. Little was left to the imagination ... Another issue depicted a man holding a bloody ax in one hand and a woman's severed head in the other."

"Corpses in various states of decay and reanimation regularly adorned the covers." - Bradford W. Wright

The reaction came quickly. By 1948, Catholic schools were conducting bonfires of comic books ... Soon enough, William M. Gaines, the publisher of EC Comics, found himself facing off against a Senate investigative committee headed by Estes Kefauver. It was a rout. Kefauver declared that a panel in the July issue 'seems to be a man with a woman in a boat and he is choking her to death with a crowbar. Is that in good taste?'

'I think so,' was all Gaines could answer.

The Fleischer brothers, Max and Dave, animated Betty Boop. Betty's cartoons, remembered vividly for their overt sexuality and often grotesque imagery, are even more provocative when viewed in relation to the lives of her working-class Eastern European immigrant, Jewish creators. ... Betty's initial disappearance can be traced to the Hays Production Code Office, which Mayer, Laemmle, Goldwyn - Jews grouped themselves into the Motion Pictures Producers and Distributors of America Inc., and invited Will H. Hayes to preside over them. In doing so they were not merely attempting to buy-off criticism, they were buying respectability.

Superman was created by two young Jews, Jerry Siegel and Joe Schuster.

The real heroes of Marvel Comics are the two Israeli men at the company's helm, Isaac (Ike) Perlmutter and Avi Arad. At Marvel the key players throughout the decades, including Jack Kirby (Jacob Kurtzberg) and Stan Lee (Stanley Lieber) creators of the Fantastic Four and Spider-Man, have been almost exclusively Jewish. Founded in 1939 by Martin Goodman, Marvel was a part of the so-called "golden age" of comics, when hordes of young Jewish writers and artists, most of them struggling immigrants' sons, created armies of imaginary superheroes like Superman and Captain America, whose mission was to wage war against Nazis and their ilk.

No one is more Jewish than Bugs Bunny.

'It was no accident,' observes David Gilner, director of Libraries for Hebrew Union College, 'that Bugs Bunny's animator was Fritz Freleng, and his voice supplied by Mel Blanc - both of whom were Jewish.''' - Cincinnati Post, April 21, 1997

And of course let us not forget the Israeli-born Haim Saban of 'Teenage Mutant Ninja Turtles' fame.

The Yiddishization of Comedy has resulted in the creation of a social culture that laughs at the plight of others.

"Our culture of flagrant self-exaltation, hardwired in the American character, permits the humiliation of all those who oppose us. We believe, after all, that because we have the capacity to wage war we have a right to wage war. Those who lose deserve to be erased. Those who fail, those who are deemed ugly, ignorant or poor, should be belittled and mocked. Human beings are used and discarded like Styrofoam boxes that held junk food. And the numbers of superfluous human beings are swelling the unemployment offices, the prisons and the soup kitchens." - Chris Hedges

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This website defines a new religious ideology to which its author adheres. The author feels that the falsification of reality outside personal experience has created a populace unable to discern propaganda from reality and that this has been done purposefully by an international corporate cartel through their agents who wish to foist a corrupt version of reality on the human race. Religious intolerance occurs when any group refuses to tolerate religious practices, religious beliefs or persons due to their religious ideology. This web site marks the founding of the religion aptly named The Truth of the Way of Life - a rational religion based on reason which requires no leap of faith, accepts no tithes, has no supreme leader, no church buildings and in which each and every individual is encouraged to develop a personal relation with God through the pursuit of the knowledge of reality in the hope of curing the spiritual corruption that has enveloped the human spirit. The tenets of The Truth of the Way of Life are spelled out in detail on this web site by the author. Violent acts against individuals due to their religious beliefs in America is considered a “hate crime.”

This web site in no way condones violence. To the contrary the intent here is to reduce the violence that is already occurring due to the international corporate cartels desire to control the human race. The international corporate cartel already controls the world central banking system, mass media worldwide, the industrial military entertainment complex of America and is responsible for the collapse of morals, the elevation of self-centered behavior and the destruction of global ecosystems. Civilization is based on cooperation. Cooperation does not occur at the point of a gun.

American social mores and values have declined precipitously over the last century as the corrupt international cartel has garnered more and more power. This power rests in the ability to deceive the populace in general through mass media by pressing emotional buttons which have been preprogrammed into the population through prior mass media psychological operations. The results have been the destruction of the family and the destruction of social structures that do not adhere to the corrupt international elites vision of a perfect world. Through distraction and coercion the direction of thought of the bulk of the population has been directed toward solutions proposed by the corrupt international elite that further consolidates their power and which further their purposes.

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