Music moves people of all cultures due to patterns
of synchronized activity in several brain areas which, put quite simply,
"To most people
music is intrinsically attractive.
Melodies tend to ingrain
themselves in the listener's mind.
A tune will haunt the memory during the
whole of a lifetime.
Set words to a catchy, easily remembered tune
and immediately they become words of power.
The words will
automatically repeat themselves every time the melody is heard or
Orpheus has entered into an alliance with Pavlov - the power of sound
with the conditioned reflex." - Aldous Huxley
1859 French government commission makes a law that all
musicians tune to A=435 Hz.
1896 A=439 Hz becomes
the recognized pitch standard in Britain.
American Federation of Musicians, motivated by a grant provided by the
Foundation push for A=440Hz tuning standard. The initial effort has limited
success in America and in Europe nearly no impact. Promotions continued as
A=440Hz is perceived as less pleasant, or dull, to most musicians.
1930s Broadcasting industry makes a push towards total
standardization of concert pitch in Europe and North American.
1936 US time and frequency station WWV begins broadcasting a
440 Hz signal at two minutes past every hour, with WWVH broadcasting the same
tone at the first minute past every hour.
Rockefeller Foundation starts funding research to find the effects of new forms
of mass media on society, especially radio.
"The Princeton Radio
Project, established with Rockefeller funding and directed by Paul Lazarsfeld,
Cantril, and Stanton, focused on studying the uses and effects of radio
communications upon the population, and almost exclusively led to the field of
mass communications research. Theodor Adorno, a critical theorist whom
Lazarsfeld invited to join the Princeton Radio Project ran into several
problems during his research with his associates. Lazarsfeld brought Adorno
into the project hoping that he could bridge the gap between American and
European approaches to research. Adorno, however, sought to understand not
simply the effects of radio in mass communications, but the role played by the
"researcher" - or "expert" - in the social order itself. This put him in direct
conflict with the project and its philosophy. For Adorno, wrote Slack and
Allor, "not only the processes of communication but the practice of
communication research itself had to be viewed critically." Reflecting upon his
experience some decades later, Adorno wrote that, "there appeared to be little
room for such social research in the framework of the Princeton Project." He
noted: "Its charter, which came from the Rockefeller Foundation, expressly
stipulated that the investigations must be performed within the limits of the
commercial radio system prevailing in the United States." Thus, "the system itself, its cultural and
sociological consequences and its social and economic presuppositions were not
to be analyzed
I was disturbed." - Andrew Gavin
1939 "British Standards Institute (BSI)
adopts the A=440Hz standard promoted by the Rockefeller-Nazi consortium at a
1939 international conference held in London." - Lynn Cavanagh
funding established the standard militarized musical tuning of A=440Hz
James Tobias reviewed
Foundation archives, and documented investigations leading to psychological
warfare applications of acoustic vibrations, ultimately advanced militarily and
Harold Burris-Meyer, an audio engineer, was known for
providing consulting services to Muzak Corporation used to optimize sound
installations in factories for emotional
motivation of workers to not be adversely effected by factory noise.
Foundation along with the US Navy and National Defense Research Committee,
acoustic energy researchers, including Burris-Meyer .
Burris-Meyer was commissioned to build speaker arrays
deployed on warplanes such that enemy combatants could be addressed from the
air in the attempt to produce psycho-emotional affects leading to "mass hysteria."
became convinced that "audio control of human emotions was possible for a large
enough portion of an audience to provide effective
crowd control a line of research," that John Marshall, "ultimately
found irrelevant for understanding the artistic or cultural values of music
" but obviously fulfilled a military objective.
research in acoustic science focused on producing the social impacts of
emotional arousal and even mass
hysteria from sound effects.
"The clear interest here seems to be in
the 'dramatic' use emphasized in bringing audiences, with the use of the
'sensory appeal' of sound effects, to states of 'mass hysteria.'" - James
"Preliminary research and analysis by Walton, Koehler, Reid, et
al. confirms A=440Hz frequency music conflicts with human chakra energy centers
from the heart to the base of the spine. The A=440Hz frequency vibration scale
stimulates ego and left-brain function,
suppressing the "heart-soul" link, intuition and creative inspiration." -
Leonard G. Horowitz
alternatives have been suppressed even though A=444Hz (C(5)=528Hz) analysis
found this frequency more compatible with nature and more pleasant to listen
If humanity were to be optimally suppressed spiritually, the musical
tuning of A=444Hz would be neglected as it has been. Religious leaders
suppressed the original Solfeggio musical scale in which A=444Hz, virtually
equivalent to C(5)=528Hz, is the "MI" tone or "MIracle" note played by the
Pythagoreans referenced by Tobias as subscribing to the bioenergetic
epistemologies described by Helmholtz.
In India, the origin of
solmization was to be found in Vedic texts like the Upanishads, which discuss a
musical system of seven notes, realized ultimately in what is known as sargam.
In Indian classical music, the notes in order are: sa, re, ga, ma, pa,
dha, and ni.
Solmization is a system of attributing a distinct syllable
to each note in a musical scale. Various forms of solmization are in use and
have been used throughout the world, but solfège is the most common
convention in Europe and North America.
The seven syllables normally
used for this practice in English-speaking countries are: do, re, mi, fa, sol,
la, and ti (with a chromatic scale of ascending di, ri, fi, si, li and
descending te, le, se, me, ra).
The use of a seven-note diatonic musical
scale is ancient, though originally it was played in descending
Byzantine music uses syllables derived from the Greek alphabet to
name notes: starting with C, the notes are ni (eta), pa (alpha), vu' (beta), ga
(gamma), di (delta), ke (epsilon), zo (zeta).
In Japanese music, the
first line of Iroha, an ancient poem used as an "ABC" of traditional kana, is
used for solmization. The syllables representing the notes A, B, C, D, E, F, G
are i, ro, ha, ni, ho, he, to respectively.
In Indonesia, Javanese
musicians derive syllables from numbers; ji-ro-lu-[pi]-ma-nem (siji, loro,
telu, [papat, normally skipped in pentatonic scales], lima, enem).
music theory, the tritone is strictly defined as a musical interval composed of
three adjacent whole tones. For instance, the interval from F up to the B above
it (in short, FB) is a tritone as it can be decomposed into the three
adjacent whole tones FG, GA, and AB. According to this
definition, within a diatonic scale there is only one tritone for each octave.
For instance, the above-mentioned interval FB is the only tritone which
can be formed using the notes of the C major scale.
A tritone is also
commonly defined as an interval spanning six semitones. According to this
definition, a diatonic scale contains two tritones for each octave. For
instance, the above-mentioned C major scale contains the tritones FB
(from F to the B above it, also called augmented fourth) and BF (from B
to the F above it, also called diminished fifth, semidiapente, or
In classical music, the tritone is a harmonic and
melodic dissonance and is important in the study of musical harmony.
The tritone can be used to avoid traditional tonality: "Any tendency for a
tonality to emerge may be avoided by introducing a note three whole tones
distant from the key note of that tonality."
Contrarily, the tritone
found in the dominant seventh chord helps establish the tonality of a
composition. These contrasting uses exhibit the flexibility, ubiquity, and
distinctness of the tritone in music.
The condition of having tritones
is called tritonia; that of having no tritones is atritonia. A musical scale or
chord containing tritones is called tritonic; one without tritones is
The Augmented 4th, or Tritonus, which spans three whole steps
in the scale, is one of the most dissonant musical intervals around. It was
considered unpleasant and ugly, and was named "diabolus in musica", "the devil
in music" or the Devil's Interval.
The Devil's Interval enjoyed great
popularity among composers in the 19th Century, when "you have got lots of
presentations of evil built around the tritone".
"It can sound very
spooky. It depends on how you orchestrate. It is also quite exciting," says
Professor Deathridge. "[Wagner's] Gotterdammerung has one of the most exciting
scenes - a 'pagan', evil scene, the drums and the timpani. It is absolutely
terrifying, it is like a black mass. There is a big connection between heavy
rock music and Wagner. They have cribbed quite a lot from 19th Century music."
A modern advocate of the tritone is Black Sabbath - the rock outfit led
by Ozzy Osbourne - particularly in their signature song, Black Sabbath, a
milestone in the genesis of heavy metal.
Western Civilization has chosen descension focusing on the
lower centers of consciousness like those of power, wealth and pleasure as
opposed to focusing on ascension
by tickling the higher centers of compassion, empathy and
We are engaged in a "conspiracy reality" in which
ultimate power and control is waged bioenergetically (i.e., biospiritually),
through frequency modulations or electromagnetic manipulations affecting
"consciousness" and impacting biology, physiology, and human
Harmony iscreated by notes sounding together at frequencies
which are in proportion to each other. The proportions can be expressed by
numbers. Low numbers produce consonant harmonies, and higher numbers give rise
For example, if two notes an octave apart are sounded
together, the frequency of the upper note is exactly double that of the lower.
In numerical terms, upper doh over lower doh = 2:1. The sound is clear, pure
Sound sol above doh (the perfect fifth) and the proportion is
This sound is brilliant, confident.
Sound fa over doh (the
perfect fourth) and this gives 4:3.
The word "amen" is often set to
These two intervals are inversions of each other: doh
above sol gives 4:3 and doh over fa gives 3:2.
Mi over doh (the major
third) is 5:4, a lovely interval expressing warmth, gentleness, "togetherness"
and much more; its inversion, doh over mi (the minor sixth) gives 8:5, a
curiously astringent but also beautiful interval.
Doh over la (the
minor third) gives 6:5; and la over doh (the major sixth) gives 5:3 - two more
In music, a consonance (Latin con-, "with" +
sonare, "to sound") is a harmony, chord, or interval considered stable (at
rest), as opposed to a dissonance (Latin dis-, "apart" + sonare, "to sound"),
which is considered unstable (or temporary, transitional).
general usage, a consonance is a combination of notes that sound pleasant to
most people when played at the same time; dissonance is a combination of notes
that sound harsh or unpleasant to most people.
This is a cultural
concept as music other than European tradition, e.g., Balkan, Arabic, Chinese,
do not follow this definition.
The Six Solfeggio Frequencies include:
UT 396 Hz Liberating Guilt and Fear
Hz Undoing Situations and Facilitating Change
MI 528 Hz
Transformation and Miracles (DNA Repair)
FA 639 Hz
SOL 741 Hz Expression/Solutions
LA 852 Hz Awakening Intuition and Returning to Spiritual
The Frequency of the Voice of Compassion of the Sustainer MI is
528 Hz - the Miracle note of the original Solfeggio musical scale.
Independently confirmed by researchers, this core creative frequency was used
by ancient priests and healers in advanced civilizations to manifest healing
Math scientist Victor Showell describes 528 as fundamental to
the ancient Pi, Phi, and the Golden Mean evident throughout natural design. Vic
Showell and John Stuart Reid (a pioneer in acoustic research and cymatic
measurements) have proven that 528 is essential to the sacred geometry of
circles and spirals consistent with DNA structuring and hydrosonic
Schumann resonance is a global electromagnetic resonance,
which has its origin in electrical discharges of lightning within the cavity
existing between the Earths surface and the ionosphere. This cavity
resonates with electromagnetic waves in the extremely low frequencies of
approximately 7.86Hz 8Hz.
Conscious thought waves created by the
human brain range from 12.5Hz to 40Hz. This range only includes certain types
of dendrites belonging to brain cells predominantly within the left (the more
rational) hemisphere of the brain, which is the center of activity.
two hemispheres of our brain become synchronized with each other at Alpha-Theta
border (7Hz - 8Hz), they work more harmoniously and with a maximum flow of
The frequency of 8Hz seems to be the key to the full and
sovereign activation potential of our brain. It is at the Alpha-Theta border
where we can reprogram our DNA to heal.
8Hz is the frequency of the
double helix in DNA replication. Melatonin and Pinoline work on the DNA,
inducing an 8Hz signal to enable metosis and DNA replication. A form of body
temperature superconductivity is evident in this process.
Our survey is
incomplete without mentioning that the sound of 432 Hz is the sound of the
vocalization of Om - the harmonic intonation of nature.
the Veil of Cognitive
Blindness by softly vocalizing the harmonic intonation of nature - Om -
relax and tune yourself back into Nature.
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This website defines a
new perspective with which to engage reality to which its author adheres. The
author feels that the falsification of reality outside personal experience has
created a populace unable to discern propaganda from reality and that this has
been done purposefully by an international corporate cartel through their
agents who wish to foist a corrupt version of reality on the human race.
Religious intolerance occurs when any group refuses to tolerate religious
practices, religious beliefs or persons due to their religious ideology. This
web site marks the founding of a system of philosophy named The Truth of the
Way of Life - a rational religion based on reason which requires no leap of
faith, accepts no tithes, has no supreme leader, no church buildings and in
which each and every individual is encouraged to develop a personal relation
with the Creator and Sustainer through the pursuit of the knowledge of reality
in the hope of curing the spiritual corruption that has enveloped the human
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This web site
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violence that is already occurring due to the international corporate cartels
desire to control the human race. The international corporate cartel already
controls the world economic system, corporate media worldwide, the global
industrial military entertainment complex and is responsible for the collapse
of morals, the elevation of self-centered behavior and the destruction of
global ecosystems. Civilization is based on cooperation. Cooperation does not
occur at the point of a gun.
American social mores and values have
declined precipitously over the last century as the corrupt international
cartel has garnered more and more power. This power rests in the ability to
deceive the populace in general through corporate media by pressing emotional
buttons which have been preprogrammed into the population through prior mass
media psychological operations. The results have been the destruction of the
family and the destruction of social structures that do not adhere to the
corrupt international elites vision of a perfect
world. Through distraction and coercion the direction of thought of the
bulk of the population has been directed toward solutions proposed by the
corrupt international elite that further consolidates their power and which
further their purposes.
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